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Paula Wallace is the Reason These Art Kids Today Mean Business (via FastCo)
As someone about to head down to Savannah to walk across the stage to get a piece of paper, seeing this interview with Paula Wallace - conducted by Fast Company - was certainly interesting and enlightening. 
In 30 years, Wallace has managed to increase the school’s population, both in the states and abroad, as well as expand to 104 degree programs. Not too shabby for a school that’s younger than most of its professors. As an ‘art school’ goes, its got a pretty high employment rate after graduation. While SCAD doesn’t require internships like other schools do, our students are still hired quite readily. 
However, Wallace seems to only mention the industrial design and the fashion schools; these majors are on their way to become the poster children of SCAD. Don’t get me wrong, I love that I was a part of the industrial design community at SCAD (and without it, I wouldn’t be moving across the country for a job), but readers should remember that there are (102) other majors at SCAD. ID and fashion are very different from a lot of the majors offered; the mindset is very different and the jobs accepted and offered are worlds apart. 
According to the article, art history and other liberal arts classes make up the strong foundation SCAD students are given. As Wallace says, students have to understand “what’s come before to be strong link” in the design world. Its a little confusing to read this, as classes such as history of Industrial Design no longer exist, and as far as I can tell, most students don’t rank their art history classes as #1 most influential classes. I’m not saying that the art history faculty is bad - on the contrary, I enjoyed my art history classes (all 3 of them that I had to take) very much. The teachers were all of a very high caliber and the material covered was interesting. Yet I don’t think that it provided as much of a foundation as is cited in this article; I know so many students who take the art history just because they ‘have to’. I took a survey of furniture class as an elective and I’m pretty sure it was one of the best classes I took here at SCAD. Can there be more classes like that? Please? 
Wallace talks about the preparation students get for the ‘real world’; having implemented this preparation first hand last summer, I do agree with her point. I was able to be integrated into a professional setting seamlessly, while never letting go any of my education. I’d like to see how students of different majors react to this article, as well as students who’ve had a hard time finding a job out of school. 

Paula Wallace is the Reason These Art Kids Today Mean Business (via FastCo)

As someone about to head down to Savannah to walk across the stage to get a piece of paper, seeing this interview with Paula Wallace - conducted by Fast Company - was certainly interesting and enlightening. 

In 30 years, Wallace has managed to increase the school’s population, both in the states and abroad, as well as expand to 104 degree programs. Not too shabby for a school that’s younger than most of its professors. As an ‘art school’ goes, its got a pretty high employment rate after graduation. While SCAD doesn’t require internships like other schools do, our students are still hired quite readily. 

However, Wallace seems to only mention the industrial design and the fashion schools; these majors are on their way to become the poster children of SCAD. Don’t get me wrong, I love that I was a part of the industrial design community at SCAD (and without it, I wouldn’t be moving across the country for a job), but readers should remember that there are (102) other majors at SCAD. ID and fashion are very different from a lot of the majors offered; the mindset is very different and the jobs accepted and offered are worlds apart. 

According to the article, art history and other liberal arts classes make up the strong foundation SCAD students are given. As Wallace says, students have to understand “what’s come before to be strong link” in the design world. Its a little confusing to read this, as classes such as history of Industrial Design no longer exist, and as far as I can tell, most students don’t rank their art history classes as #1 most influential classes. I’m not saying that the art history faculty is bad - on the contrary, I enjoyed my art history classes (all 3 of them that I had to take) very much. The teachers were all of a very high caliber and the material covered was interesting. Yet I don’t think that it provided as much of a foundation as is cited in this article; I know so many students who take the art history just because they ‘have to’. I took a survey of furniture class as an elective and I’m pretty sure it was one of the best classes I took here at SCAD. Can there be more classes like that? Please? 

Wallace talks about the preparation students get for the ‘real world’; having implemented this preparation first hand last summer, I do agree with her point. I was able to be integrated into a professional setting seamlessly, while never letting go any of my education. I’d like to see how students of different majors react to this article, as well as students who’ve had a hard time finding a job out of school. 

A little sketch I did during last quarter for my senior project. 

A little sketch I did during last quarter for my senior project. 

Back in the Day bakery, Savannah GA

Back in the Day bakery, Savannah GA

Informality
Rough and Refined Sketches by Andres Parada
Just got myself one of these! He’s always been one of my favorite sketchers; 118 pages of rough to refined sketches is something well worth the money. 

Informality

Rough and Refined Sketches by Andres Parada

Just got myself one of these! He’s always been one of my favorite sketchers; 118 pages of rough to refined sketches is something well worth the money. 

Footage from 1923 Paris shows the latest in sports, cycle-skating. 

Alternative Design Education: The Yestermorrow Design/Build School (via Core77)
Most of us who want to receive a design education look for those four year undergrad programs or two - three year grad programs. However, The Yestermorrow Design/Build School in Warren, VT offers an alternative. 
A nonprofit organization, Yestermorrow teaches certificate courses, workshops, and tutorials in both design and construction ranging from one day to full semester in length (with courses of multi-week lengths in between). As a student, you can learn anything from traditional woodworking to sustainable building to energy efficiency and ecosystems. 
For those who don’t want to spend four years on a design degree, Yestermorrow offers something more accessible and less time consuming. You’re able to learn crucial skills while having hands on experience with top architects, builders and craftspeople from across the country. If there was ever a descendant of the Bauhaus alive today, this would be it. 

Alternative Design Education: The Yestermorrow Design/Build School (via Core77)

Most of us who want to receive a design education look for those four year undergrad programs or two - three year grad programs. However, The Yestermorrow Design/Build School in Warren, VT offers an alternative. 

A nonprofit organization, Yestermorrow teaches certificate courses, workshops, and tutorials in both design and construction ranging from one day to full semester in length (with courses of multi-week lengths in between). As a student, you can learn anything from traditional woodworking to sustainable building to energy efficiency and ecosystems. 

For those who don’t want to spend four years on a design degree, Yestermorrow offers something more accessible and less time consuming. You’re able to learn crucial skills while having hands on experience with top architects, builders and craftspeople from across the country. If there was ever a descendant of the Bauhaus alive today, this would be it. 

Desktops (via coolhunting)
Virtual vs. physical: a conversation with six creative professionals about their workspaces. 
Learn how professionals such as Kiel Mead, John Maeda (whose desktop is pictured above), Jon Burgman and Dennis Crowley view their desktops, both physical and virtual. They share what they are most embarrassed about, what their favorite desktop accessory is and what they really look for in a workspace (among many others).
Hearing these responses from some of the top creatives of today is both insightful and inspiring; its a small look into how they think and work. 

Desktops (via coolhunting)

Virtual vs. physical: a conversation with six creative professionals about their workspaces. 

Learn how professionals such as Kiel Mead, John Maeda (whose desktop is pictured above), Jon Burgman and Dennis Crowley view their desktops, both physical and virtual. They share what they are most embarrassed about, what their favorite desktop accessory is and what they really look for in a workspace (among many others).

Hearing these responses from some of the top creatives of today is both insightful and inspiring; its a small look into how they think and work. 

“Kymmenykset” poster designed by Michell Laurence

“Kymmenykset” poster designed by Michell Laurence

Ferrite - Interactive Liquid Sculpture

Check out this Kickstarter project done by my fellow SCAD student David Markus

Paula Wallace is the Reason These Art Kids Today Mean Business (via FastCo)
As someone about to head down to Savannah to walk across the stage to get a piece of paper, seeing this interview with Paula Wallace - conducted by Fast Company - was certainly interesting and enlightening. 
In 30 years, Wallace has managed to increase the school’s population, both in the states and abroad, as well as expand to 104 degree programs. Not too shabby for a school that’s younger than most of its professors. As an ‘art school’ goes, its got a pretty high employment rate after graduation. While SCAD doesn’t require internships like other schools do, our students are still hired quite readily. 
However, Wallace seems to only mention the industrial design and the fashion schools; these majors are on their way to become the poster children of SCAD. Don’t get me wrong, I love that I was a part of the industrial design community at SCAD (and without it, I wouldn’t be moving across the country for a job), but readers should remember that there are (102) other majors at SCAD. ID and fashion are very different from a lot of the majors offered; the mindset is very different and the jobs accepted and offered are worlds apart. 
According to the article, art history and other liberal arts classes make up the strong foundation SCAD students are given. As Wallace says, students have to understand “what’s come before to be strong link” in the design world. Its a little confusing to read this, as classes such as history of Industrial Design no longer exist, and as far as I can tell, most students don’t rank their art history classes as #1 most influential classes. I’m not saying that the art history faculty is bad - on the contrary, I enjoyed my art history classes (all 3 of them that I had to take) very much. The teachers were all of a very high caliber and the material covered was interesting. Yet I don’t think that it provided as much of a foundation as is cited in this article; I know so many students who take the art history just because they ‘have to’. I took a survey of furniture class as an elective and I’m pretty sure it was one of the best classes I took here at SCAD. Can there be more classes like that? Please? 
Wallace talks about the preparation students get for the ‘real world’; having implemented this preparation first hand last summer, I do agree with her point. I was able to be integrated into a professional setting seamlessly, while never letting go any of my education. I’d like to see how students of different majors react to this article, as well as students who’ve had a hard time finding a job out of school. 

Paula Wallace is the Reason These Art Kids Today Mean Business (via FastCo)

As someone about to head down to Savannah to walk across the stage to get a piece of paper, seeing this interview with Paula Wallace - conducted by Fast Company - was certainly interesting and enlightening. 

In 30 years, Wallace has managed to increase the school’s population, both in the states and abroad, as well as expand to 104 degree programs. Not too shabby for a school that’s younger than most of its professors. As an ‘art school’ goes, its got a pretty high employment rate after graduation. While SCAD doesn’t require internships like other schools do, our students are still hired quite readily. 

However, Wallace seems to only mention the industrial design and the fashion schools; these majors are on their way to become the poster children of SCAD. Don’t get me wrong, I love that I was a part of the industrial design community at SCAD (and without it, I wouldn’t be moving across the country for a job), but readers should remember that there are (102) other majors at SCAD. ID and fashion are very different from a lot of the majors offered; the mindset is very different and the jobs accepted and offered are worlds apart. 

According to the article, art history and other liberal arts classes make up the strong foundation SCAD students are given. As Wallace says, students have to understand “what’s come before to be strong link” in the design world. Its a little confusing to read this, as classes such as history of Industrial Design no longer exist, and as far as I can tell, most students don’t rank their art history classes as #1 most influential classes. I’m not saying that the art history faculty is bad - on the contrary, I enjoyed my art history classes (all 3 of them that I had to take) very much. The teachers were all of a very high caliber and the material covered was interesting. Yet I don’t think that it provided as much of a foundation as is cited in this article; I know so many students who take the art history just because they ‘have to’. I took a survey of furniture class as an elective and I’m pretty sure it was one of the best classes I took here at SCAD. Can there be more classes like that? Please? 

Wallace talks about the preparation students get for the ‘real world’; having implemented this preparation first hand last summer, I do agree with her point. I was able to be integrated into a professional setting seamlessly, while never letting go any of my education. I’d like to see how students of different majors react to this article, as well as students who’ve had a hard time finding a job out of school. 

A little sketch I did during last quarter for my senior project. 

A little sketch I did during last quarter for my senior project. 

Back in the Day bakery, Savannah GA

Back in the Day bakery, Savannah GA

Informality
Rough and Refined Sketches by Andres Parada
Just got myself one of these! He’s always been one of my favorite sketchers; 118 pages of rough to refined sketches is something well worth the money. 

Informality

Rough and Refined Sketches by Andres Parada

Just got myself one of these! He’s always been one of my favorite sketchers; 118 pages of rough to refined sketches is something well worth the money. 

Footage from 1923 Paris shows the latest in sports, cycle-skating. 

Alternative Design Education: The Yestermorrow Design/Build School (via Core77)
Most of us who want to receive a design education look for those four year undergrad programs or two - three year grad programs. However, The Yestermorrow Design/Build School in Warren, VT offers an alternative. 
A nonprofit organization, Yestermorrow teaches certificate courses, workshops, and tutorials in both design and construction ranging from one day to full semester in length (with courses of multi-week lengths in between). As a student, you can learn anything from traditional woodworking to sustainable building to energy efficiency and ecosystems. 
For those who don’t want to spend four years on a design degree, Yestermorrow offers something more accessible and less time consuming. You’re able to learn crucial skills while having hands on experience with top architects, builders and craftspeople from across the country. If there was ever a descendant of the Bauhaus alive today, this would be it. 

Alternative Design Education: The Yestermorrow Design/Build School (via Core77)

Most of us who want to receive a design education look for those four year undergrad programs or two - three year grad programs. However, The Yestermorrow Design/Build School in Warren, VT offers an alternative. 

A nonprofit organization, Yestermorrow teaches certificate courses, workshops, and tutorials in both design and construction ranging from one day to full semester in length (with courses of multi-week lengths in between). As a student, you can learn anything from traditional woodworking to sustainable building to energy efficiency and ecosystems. 

For those who don’t want to spend four years on a design degree, Yestermorrow offers something more accessible and less time consuming. You’re able to learn crucial skills while having hands on experience with top architects, builders and craftspeople from across the country. If there was ever a descendant of the Bauhaus alive today, this would be it. 

Desktops (via coolhunting)
Virtual vs. physical: a conversation with six creative professionals about their workspaces. 
Learn how professionals such as Kiel Mead, John Maeda (whose desktop is pictured above), Jon Burgman and Dennis Crowley view their desktops, both physical and virtual. They share what they are most embarrassed about, what their favorite desktop accessory is and what they really look for in a workspace (among many others).
Hearing these responses from some of the top creatives of today is both insightful and inspiring; its a small look into how they think and work. 

Desktops (via coolhunting)

Virtual vs. physical: a conversation with six creative professionals about their workspaces. 

Learn how professionals such as Kiel Mead, John Maeda (whose desktop is pictured above), Jon Burgman and Dennis Crowley view their desktops, both physical and virtual. They share what they are most embarrassed about, what their favorite desktop accessory is and what they really look for in a workspace (among many others).

Hearing these responses from some of the top creatives of today is both insightful and inspiring; its a small look into how they think and work. 

(Source: squaremeal, via oberholtzer)

“Kymmenykset” poster designed by Michell Laurence

“Kymmenykset” poster designed by Michell Laurence

Ferrite - Interactive Liquid Sculpture

Check out this Kickstarter project done by my fellow SCAD student David Markus

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